Previous Page  58-59 / 64 Next Page
Information
Show Menu
Previous Page 58-59 / 64 Next Page
Page Background

JANUARY 2015

59

58

JANUARY 2015

The Bard at Bogapani

In the 1950s and 60s when the London Director made

a visit during the Cold Weather some gardens put up a

concert in his honour. One such concert was held at

Bogapani T.E. to welcome Mr J.H. Kilburn. I did not

personally witness this but am assured by Simon

Penney, who was Senior Assistant at Bogapani then,

that The Merchant of Venice, as a one act play, was the

presentation! It went thus:

The hessian curtain opens revealing a rudimentary stage

and a man sitting at a table.There is a loud knocking on

the door at the side of the stage.

Seated man:

“Kaun Hai?”

Muffled voice (from behind the door):

“Hamara nam

Shylock hai.”

Seated man:

“Kya mangta?”

Muffled voice:

“Hum adha seer gosht mangta.”

Seated man stands up kicking over the chair, shakes

his fist and shouts at the door:

“JAO SALA, KABHI

NAHIN MILEGA!”

The curtain closes!

dogs) they dropped off their perches and tried to make

contact with us – which they did on many occasions.

Fortunately, we all had a puff or two at Simla, Charminar

– but definitely not Bidis! The glowing end of a cigarette

soon made the leeches let go.

Soon after my arrival at Namdang in 1960 the Manager, John

Marshall Phillips, and his wife, Marion, went on leave and I

was to look after their bungalow while they were away. It was

a huge bungalow with beautiful surrounding lawns and

flower beds and I was really in awe of the whole situation.

It was there that I had my first encounter with a snake – a

spitting Cobra – but another incident turned out to be one

of the Company’s best kept secrets. Everyone in the

Makum, Namdang Companies knew; the only exceptions

who were kept in the dark were John and Marion!

Below the Bara Bungalow was a little

stream where, every morning, a large

number of Jungli Murghis gathered

and I often stopped to watch them

while riding my bicycle to the office.

My brother in Belfast, a keen

fisherman, had given me his 12 bore

rifle when I left home and mentioned

that the male Jungle Fowl had a

beautiful plumage, ideal for incorporating in fly tying. He

said if I ever had the opportunity, I should shoot one or two

for their feathers.

Well, one Sunday morning I decided to do this. I took the

gun, went to the stream and, being reluctant to shoot

‘sitting birds’, shouted and kicked up a racket but to no

avail; they paid no attention to me. In desperation, I threw

a stone and they took to the air. Bang! Bang! I got four!

I took these to Chris Gathorne, the Acting Manager, who

was delighted. He said they were good eating and that he

would ask his wife, Pam, to make a curry. He asked where

I had shot them and I told him, “Below the Bara

Bungalow.” There was a long pause after which he said,

“We’ll eat them but we have to make no mention of this.”

He then told me that Marion Phillips had been hand

feeding these birds for a long time and as such they were

practically tame. The birds were cooked, enjoyed at the

table, and the secret kept!

As the very new Assistant in charge of ‘East Side’Division,

I rode my bike alongside Chris Gathorne on my way to the

work area in the early stages as he was showing me the

ropes. Some women were coming late to take up their

positions in the tea and I asked Chris to teach me how to

say, “If you come as late as this tomorrow, you will not get

work,” so as we rode our bicycles I repeated what Chris had

taught me – “Kal itne deri annesey kam nahin milega” –

over and over again.When some stragglers reached the tea,

Chris said, “Go ahead,” so I put on a stern face and started,

“Kal...” but had forgotten the rest!! Chris laughed and said,

“We'll try again tomorrow.”

I am now fairly fluent and can even manage a few songs like

‘Mere samne wale khirke mai, ek chand ka tokera rahta hai’,

‘Dil deke dekho’ and ‘Mera sapano ki Rani kab ayegi tu’.

My three best Hindi films are ‘Sholay’, ‘Lagaan’, and one I

saw just last month, ‘Rang de Basanti’.

At the age of seventy-seven, I’ve recently bought an electric

keyboard and have already mastered "Hallelujah", "The way

you look tonight", "Silhouettes" and a few other numbers.

Incidentally, a copy of my guitar shape was made by the

head carpenter at Namdang and he carefully shaped the

body and neck from solid pieces of Nahor timber. Radha,

the head fitter, who kept Namdang factory always

operational, made the stainless steel plate for the neck/body

attachment and the string anchor too. Bob (Powell Jones)

and I arranged to get a double pick up from Hong Kong,

and a fretboard, machine heads and strings from Calcutta.

The Namdang carpenter fitted and glued the fretboard after

painting. The guitar was completed and thanks to this

crafstman, we had a perfect bass guitar!

Editors’ note:

Mr Larry Brown and Mr Robert Powell-Jones

had formed a planters’ band in 1963, calledThe Mudguards.They

were later joined by Mr Ron Aston and Mr Douglas Russell.They

played ‘Shadows’ and ‘Ventures’ instrumental numbers, and were

invited to play at various events in almost all the South Bank

clubs, from Margherita to Mariani, in the 1960s

.

O

ne concert that I did personally

witness at Bogapani, along with Jim

Maltby, Peter Furst, Jimmy Beven,

Polly Rajpal and Raj Bhasin, was in the 60s,

where Jack Kilburn was fêted. One of the

acts featured a garden worker, one Aksing,

who was to present a folk song from his

native place. The harmonium player was a

Staff member and after the introductory bars

Aksing opened his mouth wide but no

sound came. Another introductory bar was

given, and another, and another, till finally

Aksing found his voice…after which he

went on, and on, and on … while the

listeners started squirming in their seats.

The Factory ‘Bara Babu’ rescued

the day when, from the side of

the stage, his umbrella shot out,

hooked Aksing round the neck

and hauled him offstage. This

action brought the loudest

applause from the audience!

Personal ‘Training’!

In the 'old days' when Peewee (Peter Bursnell,

Manager, Margherita T.E.) and his friends had a

cricket match down the line, he would phone the

Margherita Stationmaster who said he would have

the train ready for the required time. Peewee and

friends then drove the train!! Between stations, the

train stopped at the cricket venue and as the cricketers

got down, the engine driver would enquire, “What

time shall I bring the train, Mr Bursnell?”

A bygone era indeed!!

Namdang Notes

When I was at Namdang T.E. many, many years ago,

Namtok was almost impassable jungle, with no tea, and,

as we went through this area we could see the leeches

on branches and at the top of the long grass stems.

When anything warm blooded passed by (us and the

~ Larry Brown

Southport, Queensland,

Australia

Yarns from

Yesteryears

Every man's memory is his private

literature.

~ Aldous Huxley

Waiting for the Train

At the Factory

Assistant’s Bungalow -

Namdang T.E.

Larry (2nd from right) with friends

The Mudguards (Lto R): Bob Powell-Jones, Larry Brown & Ron Aston